Photo of the week No.38: Two brothers, Paris, 1945 by Robert Doisneau

This is the third Robert Doisneau to appear in my Photo of the Week series. I’ve written previously about Doisneau staying true to his principles of capturing street culture, and his photo-journalistic approach.

The Wikipedia entry for Doisneau has this quote of his,

The marvels of daily life are so exciting; no movie director can arrange the unexpected that you find in the street. — Robert Doisneau

The quotation is appropriate to this photo, entitled Two brothers, Rue Marcellin Berthelot, Paris, 1945. I particularly like the two angles in the photo, the slant from left to right, and the low down angle from which the photo is taken. I also like the affection that the older brother has for his younger brother. A cracking photo.

Photo of the week No.29: Banlieue, Paris, 1945 by Robert Doisneau

My Photo of the week No.24 featured Robert Doisneau’s famous photo – The Kiss by the Hôtel de Ville, and the lovely story about it.

Here’s another Robert Doisneau photo, again true to his principles of capturing street culture, and photo-journalistic approach. In the Wikipedia entry for Doisineau is this quote of his,

The marvels of daily life are so exciting; no movie director can arrange the unexpected that you find in the street. — Robert Doisneau

That quotation is appropriate to this week’s photo of the week by Robert Doiseneau, entitled Banlieue, Paris, 1945,

Photo of the Week No.24: The Kiss by the Hôtel de Ville by Robert Doisneau

Photojournalist’s seem to have a penchant for capturing people kissing. Think of the V-J Day Kiss by Alfred Eisenstaedt, for one such example.

This photo of the week is in a similar vein. It’s the Kiss by the Hôtel de Ville by Robert Doisneau. The photo was taken in 1950 in the busy streets of Paris by the Paris Town Hall. There’s a delightful story behind the photo, which is from Wikipedia, and you can read beneath the photo. [Click on image to expand]


The identity of the couple remained a mystery until 1992. Jean and Denise Lavergne erroneously believed themselves to be the couple in The Kiss, and when Robert and Annette Doisneau (his older daughter and also his assistant at the time) met them for lunch in the 1980s he “did not want to shatter their dream” so he said nothing. This resulted in them taking him to court for “taking their picture without their knowledge”, because under French law an individual owns the rights to their own likeness.

The court action forced Doisneau to reveal that he posed the shot using Françoise Delbart and Jacques Carteaud, lovers whom he had just seen kissing, but had not photographed initially because of his natural reserve; he approached them and asked if they would repeat the kiss. He won the court case against the Lavergnes. Doisneau said in 1992, “I would never have dared to photograph people like that. Lovers kissing in the street, those couples are rarely legitimate.”

The couple in Le baiser were Françoise Delbart, 20, and Jacques Carteaud, 23, both aspiring actors. In 2005 Françoise Bornet (née Delbart) stated that, “He told us we were charming, and asked if we could kiss again for the camera. We didn’t mind. We were used to kissing. We were doing it all the time then, it was delicious. Monsieur Doisneau was adorable, very low key, very relaxed.” They posed at the Place de la Concorde, the Rue de Rivoli and finally the Hôtel de Ville. The photograph was published in 12 June 1950, issue of Life. The relationship between Delbart and Carteaud only lasted for nine months. Delbart continued her acting career, but Carteaud gave up acting to become a wine producer.

In 1950 Françoise Bornet was given an original print of the photograph, bearing Doisneau’s signature and stamp, as part of the payment for her “work”. In April 2005 she sold the print at auction for €155,000 to an unidentified Swiss collector via the Paris auctioneers Artcurial Briest-Poulain-Le Fur.